I noticed that, too.
Here's what I've been using as a still reference. The color is a little different than the shot that tehfailsafe put up. However -- I've got some work to do to get it to match. I was fiddling with the blue channel this morning trying to match the floor, but now I can see from what you've pointed out that I need to be in the red channel.
Thanks again!
ST11 Enterprise Hallway
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Important notice: All artwork submitted on our public gallery forums gallery forums may or may not be used by OTOY for publication on our website gallery.
If you do not want us to publish your art, please mention it in your post clearly. (put a very red small diagonal cross in the left right corner of the image)
Any images already published on the gallery will be removed if the original author asks us to do so.
We recommend placing your credits on the images so you benefit from the exposure too, and use a minimum image width of 1200 pixels, and use pathtracing or PMC. Thanks for your attention, The OctaneRender Team.
For new users: this forum is moderated. Your first post will appear only after it has been reviewed by a moderator, so it will not show up immediately.
This is necessary to avoid this forum being flooded by spam.
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RichardUpshur
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- Joined: Fri Jan 07, 2011 8:54 pm
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Hey Richard, You're really close to the original scene! Good word!
I think you need to take down the exposure in Octane a bit, because the white areas on the floorsides, are a tad over exposed (The AntiAliasing becomes very harsh).. So bring that down, and adjust the gamma curve (I suggest wroking in linear mode). Then in Photoshop, some "Color balance" will let you go all the way. Also duplicate the layer, and add noise to it, and then some blur, and mix it with the original frame, and you should be really close to the film frame.
Also do a extra render in clay mode in Octane, adjusting the AO setting in direct light, and multiply that would help you get those dark little edges around the different segmants you see in the original, that yours is missing.
I think you need to take down the exposure in Octane a bit, because the white areas on the floorsides, are a tad over exposed (The AntiAliasing becomes very harsh).. So bring that down, and adjust the gamma curve (I suggest wroking in linear mode). Then in Photoshop, some "Color balance" will let you go all the way. Also duplicate the layer, and add noise to it, and then some blur, and mix it with the original frame, and you should be really close to the film frame.
Also do a extra render in clay mode in Octane, adjusting the AO setting in direct light, and multiply that would help you get those dark little edges around the different segmants you see in the original, that yours is missing.
Win7, i7 980 Hexacore, 24GB RAM, 3xEVGA SC 670 GTX 4GB