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This is necessary to avoid this forum being flooded by spam.
Important notice: All artwork submitted on our public gallery forums gallery forums may or may not be used by OTOY for publication on our website gallery.
If you do not want us to publish your art, please mention it in your post clearly. (put a very red small diagonal cross in the top left corner of the image)
Any images already published on the gallery will be removed if the original author asks us to do so.
We recommend placing your credits on the images so you benefit from the exposure too, and use a minimum image width of 1200 pixels, and pathtracing or PMC. Thanks for your attention, The OctaneRender Team.
For new users: this forum is moderated. Your first post will appear only after it has been reviewed by a moderator, so it will not show up immediately.
This is necessary to avoid this forum being flooded by spam.
- paoloverona
- Posts: 435
- Joined: Thu Mar 29, 2012 8:40 pm
Merid, I like a lot your new images in particular the close up (i like how you placed the camera).
As Paquito says (I'm totally agree with him) "you are definitely on the right way"; but, as I told you for "another interior", at the point that you have reached you shouldn't "under stimate" how important are the details.
The two books and the vase catches immediatly the attention
- try to vary some texture for the books (at least for the two in the foreground)
- try to separate a little (I think that you have aligned them perfectly) the vase from the table. (this is useful even for all objects in the scene), it creates better "contact shadows"...this is not a my trick but it's what many peoples usually do (the same effect can be reached chamfering the edges of the geometry, this other solution is ceratinly preferred for it's visual effects (more natural) on the gemetry itself)
Keep posting
Cheers, Paolo
As Paquito says (I'm totally agree with him) "you are definitely on the right way"; but, as I told you for "another interior", at the point that you have reached you shouldn't "under stimate" how important are the details.
The two books and the vase catches immediatly the attention
- try to vary some texture for the books (at least for the two in the foreground)
- try to separate a little (I think that you have aligned them perfectly) the vase from the table. (this is useful even for all objects in the scene), it creates better "contact shadows"...this is not a my trick but it's what many peoples usually do (the same effect can be reached chamfering the edges of the geometry, this other solution is ceratinly preferred for it's visual effects (more natural) on the gemetry itself)
Keep posting

Cheers, Paolo
intel i7 3820 3.6GHz, 16Gb 1600Hz, windows 7 professional 64bit, gtx 580 3Gb x2, Octane 3dsMax 2.58