White Balance

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White Balance

Postby pixie » Mon Apr 26, 2010 6:58 pm

pixie Mon Apr 26, 2010 6:58 pm
It would be a nice thing to add
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Re: White Balance

Postby radiance » Mon Apr 26, 2010 9:16 pm

radiance Mon Apr 26, 2010 9:16 pm
yeah, this is on our list,
not sure when we'll have time right now to work on it.
should'nt take too long, maybe after 2.2 ?

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Re: White Balance

Postby pixie » Tue Apr 27, 2010 12:47 am

pixie Tue Apr 27, 2010 12:47 am
Nice! :)
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Re: White Balance

Postby linin » Mon Jan 23, 2012 7:20 am

linin Mon Jan 23, 2012 7:20 am
radiance wrote:yeah, this is on our list,
not sure when we'll have time right now to work on it.
should'nt take too long, maybe after 2.2 ?

Radiance

Hi Radiance,
is there any news about white balance?
Adjust the colors is much more difficult without this feature.
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Re: White Balance

Postby a.boeglin » Sat Mar 10, 2012 6:26 pm

a.boeglin Sat Mar 10, 2012 6:26 pm
Same here, the film response is nice, but we are in 2012, working with colors and temperatures would be way more practical.
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Re: White Balance

Postby solrok » Mon Mar 19, 2012 6:57 pm

solrok Mon Mar 19, 2012 6:57 pm
Currently, you have only response curves from still/print film stocks.
I think it would be really appropriate to include motion film stocks from Kodak and Fuji, too. Maybe along with a grain slider whose pattern depends on the film stock chosen.
Along these same lines of color management, have you considered enabling LUT functionality where you could import a curve from reference and a grain image?
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Re: White Balance

Postby elwisoroarke » Fri Mar 23, 2012 3:29 am

elwisoroarke Fri Mar 23, 2012 3:29 am
solrok wrote:Currently, you have only response curves from still/print film stocks.
I think it would be really appropriate to include motion film stocks from Kodak and Fuji, too. Maybe along with a grain slider whose pattern depends on the film stock chosen.
Along these same lines of color management, have you considered enabling LUT functionality where you could import a curve from reference and a grain image?

From a film/video editor, perspective, this along with proper white balance & kelvin temperature control would be excellent. I pay particular attention to the color grading tools available to me, & to have more options in the tonemapping stage ahead of any still/animation editing or compositing is a good thing.
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