The "Use denoised beauty pass" option in Render Settings -> OctaneRender still doesn't work.
I prefer not to use the Octane Render AOV Manager (most of the time) since C4D native saving system is more straightforward and it works better with C4D Render Queue.
The bug was introduced in v1.6.1 ...

Thanks for the reply and confirming what I already suspected.

Hi,

I'm looking for a solution regarding mapping UV size on splines. Currently UV's are scaled to the full length of the spline. I'm looking for a solution to set a specific length/value inside the Octane material so the UV will map to a specific length before it tiles, regardless of the length of ...

Sometimes it works to do a slight scale (0.999) on the selection of objects if they have a centered pivot, but these are all workarounds and not actual solutions unfortunately.

This problem occurs because of polygon faces of different objects being in the same exact place (but flipped). In CAD it's standard to draw objects without any space between objects, and because this value is exactly zero the ray epsilon doesn't make a difference (since it's dividing/multiplying 0 ...

The issue was identified and will be fixed in the next release of Octane Standalone, as it is a core bug.
To workaround this issue currently, the simplest way I found was to just have at least one more info pass in your AOV manager enabled.
For example a Object ID AOV or a Material ID AOV (those ...

Please share the solution for others finding this topic instead of just saying Fixed it.

-Do you use network rendering or multiple gpus?
-Does ray epsilon change the appearance or location of the line?
-Does camera movement have an effect?

Thanks Chris, looking forward to using the new Real Lenses. Are there also plans to further expand the lens flare post options since the lenses got this much attention?

Hi,

I changed the following settings;

Octane render settings:
Time sampling p Frame -> 1

Camera tag:
Alignment-> Center

Object Tag:
Motion data -> Transform

I also changed the frame range, and continue motion so the animation will start generating motion blur data from f-50, even though ...