OTOY Forums

Good day!

I have been using ACEScg workflow in V-ray but I'm completely moving to Octane simply because it's amazing!
I'm trying to implement ACEScg workflow for octane but there's no enough information for 3ds Max...
I read and watched lots of ACEScg workflow tutorials for C4D but it doesn't work for 3ds Max somehow and I'm totally lost.
Sorry if it sounds too basic or if it's just I'm missing something being not aware of basic knowledge.

My questions are



#1 Bitmaps' color space
in V-ray, I should change all bitmap's color space manually like, sRGB / Raw etc
in Octane I don't need to do it? since in its image texture nodes, there's no color space options?



#2 Are there any differences among these saving methods?
Method 1. Save as EXR in OctaneRender Viewport
Method 2. OctaneRender Viewport - Port to max frambuffer - Save as EXR in Max's frambuffer
Method 3. Render images by hitting render button in Render setup directly and then Save as EXR in Max's frambuffer (It lets me render sequences...)



#3 How can I set ACEScg Output color space for EXR files?
in Kernel tab, Does Passes Output rollout really matter...?
Octane for 3ds Max doesn't have Output system for sequences. No matter what I use Max's Output system.
I saved multiple EXR files to test by changing its Color Space but I see no differences.



#4 After researching tonnes, I know what parameters I should care about but... How...?

Octane Preferences
-Use specified config file (I use ACES 1.2 config.ocio)
-Color space: Octane
-Color space OCIO

Camara Imager
-Order
-Response
-OCIO view
-OCIO look

Kernel - Render Settings
-3ds Max gamma hack

Kernel - Passes Output
-File type
-Color Space
-OCIO look

If there's any unnecessary settings for ACEScg workflow, please let me know!



#5 Could you please let me know the exact settings (All settings in Question #4) I should set for these cases?

Case #1 I work in sRGB color space and save results as sRGB images
-Please never mind this case because it's simply just default settings obviously haha

Case #2 I work in ACEScg color space (I should be able to "view" ACEScg color correctly in OctaneRender viewport while working) and save results as sRGB baked ACEScg color images (So it looks ACEScg color but it is actually sRGB image which is not for post processing workflow)

Case #3 I work in ACEScg color space (I should be able to "view" ACEScg color correctly in OctaneRender viewport while working) and save results as linear raw EXR images for post processing in After Effects

Hello! I'm your huge fan!
Thank you for replying.
I already read all your articles but I hope all my questions would get answered specifically.
To understand Octane's algorithm for 3ds Max better since it behaves differently compared to other DCC's ones...
Please don't get me wrong, I'm aware of that the main logic is universal for sure, for all renderers.
But, because of different systems of each DCC's, It is implemented differently.
Just wanted to know that.
Appreciate your answer again!

Hi darrenblack,
try to have a look here:
viewtopic.php?f=27&t=76951&p=396507&hilit=+aces#p396432
Regards
Paride

Hello,

I'm having trouble to understand why I have a washed out result in the beauty pass of my Octane Viewport, whenever I'm using the ACES or AGx method, please see attached screenshot.

Are we forced to adjust levels of .EXR 16bits files in post production or is there a way to get the "nice looking image" straight from the Octane viewport and save it as .jpg for previews.

Color management is obviously a new world for me

Thank you in advance

Hello elsksa,

Thank you for your answer and for all the time you take, I'll stick with AgX !

This is actually the camera Imager that you can see in my screenshot... In 3ds Max you have a "general" Imager that works with all the different views (top, right, perspective, ortho...Etc and every camera created has its own Imager that doesn't depend of the general one

The specificity of the Octane plugin is that there is an option for a "3ds max Hack", please see attachement.

If I turn off "Enable Gamma/LUT Correction", every color in the viewport and in the material editor become wrong

Well, nothing wrong happens when I export image to the frame buffer or to Photoshop/After Effects... it's the same as the Octane's viewport one (that's a start !)

My only concern is actually to avoid post processing and I would like to have "correct colors" showing up in the viewport :

As you can see in my first screenshot, all the colors are washed out in comparaison to the Max Viewport / Material editor / Diffuse Info pass etc...

I'm sorry if that's unclear, my english is not my mother tongue